This article critically evaluatesrecent studies rethinkingthe relationship between cinema and “reality” in thenew media erawithin a discussion with some important assessments of early theories which focused on this issue with the same ontological concern. The relationship between cinema and reality and the kind of cinema’s intervention in “reality” has been the subject of an ageless debate in the field of cinema studies. Today, it seems that the mentioned debate revived in the face of the phenomenon of virtuality which is brought about by the new media technologies and digitalization
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