Özet:

In Turkish folk music (THM) locality, traditionality, in fact conformity, 'new/innovation' etc. The subjects called in forms are continuously controversial among the executives, theorists and even listeners. Therefore, there are various differences of ideas about the musical designation of verbal/non-verbal works expressed in different forms on various platforms – with personal emotions in different ways – and this situation is a serious problem in terms of the ability of performers to express their art – from a thermological point of view. It is possible to say that the problem that is called is intense in the ictus of the bonds and derivatives, which are one of THM's striking plays. The research has been conducted to identify the elements left beyond traditional execution and traditional execution in the context. In this regard, the audio/image recordings that the master executives that are important for THM can be reached through the linking are also evaluated from a general perspective of the 'new/innovative' compositions/warnings/references to the linking. As a result, many personal execution differences have been identified in the implementation of the connection and recommendations have been made on the need for the classification of the issues of tradition and "new/novation" under specific titles in the connection with these findings.

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