Özet:

Austrian director Michael Haneke who interprets the cinema art as ‘reality’ or the reproduction of the reality and presents it to the audience in a critical perspective, has characterised the gratuitous nature of violence through a cinematic expression in his film Funny Games. According to Haneke, not given a reason for violence and not to explicitly displayed the violence on the screen reverses the realities and routines of the audience about the violence. According to the real-world perception, being known the causes of violence relieve the audience by making reasonable and naturalizing the violence. In the study, Funny Games film which translated into Turkish as “Ölümcül Oyunlar” and turned into a screenplay by Haneke in 2007 is analysed in terms of the cinematic narration features and its structure, in the context of the gratuitous nature of violence consisted among the bourgeoisies and the targeted effects to strike on the audience. In the context of the study, “the state of being uncomfortable” arising from the language of violence by deformation, the speeches taking place in the film, the indicators figured in the space and the aspect of the camera are analysed throughout by the critical textual analysis

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