Özet:

Cinematography as a way of expression in modern times transforms the responses (reflections) of life within a specific style (parlance). In the course in which cinematography gained its artistic quality the relation between spatial design and cinematographic elements played a prominent role. Direct and induced relations between human life and space take its place also in the fictive world of films and bring in new and semantic different dimensions to the narrative. Hence the space passing beyond being background of films becomes one of the decisive, router basic elements on persons and cases (events). The variations shown in meaning attributed to space and the density of space processing is natural. The importance and form of the space design is related to the priorities of the director. In this study, it is examined that how the fictive world formed by sigle-set/limited space carved out the cinematographic expression through two Turkish film. The analyzed films are Umit Unal’s ‘Pomegranate/Nar’ and Reis Celik’s ‘Night of Slience/LalGece’.

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