Abstract:

Read a dystopic universe with shows: The Giver Summary Foundations are based on Ancient Greece, and the theoretical development is 20. The indicator that matches the century examines the indicators that allow us to understand the universe. It tries to reveal the secret meanings under the indicators within cultural agreements. The indicator, developed under the leadership of Charles Sanders Peirce (1839-1914) and Swiss linguist Ferdinand de Saussure (1857-1913) has a scope of application in many fields. In the framework of the study, the indicator has been referred to in the relationship with the cinema. As I can indicate, the cinema also has its own language, and this language can be used to indicate when it is solved. In this regard, it was first discussed the historical development of the indicator and the relationship with the cinema, and then the film, The Giver (2014) which we can evaluate in the distopic film category directed by Phillip Noyce, was indicator-relatedly analyzed. The film is preferred to be analyzed through visual indicators. The theories based on Ancient Greece, the theoretical development of the 20th Century corresponds to the display of the metamorphosis, which leads us to understand the universe. Within cultural conventions, it tries to make hidden meanings of the signs. The semiotics, developed under the leadership of Charles Sanders Peirce (1839-1914) and the Swiss linguist Ferdinand de Saussure (1857-1913), have many field applications areas. Within the scope of the study, the relationship between cinema and semiology is mentioned. Just as in semiology, cinema has its own language, and semiology can be used in this language solution. In this regard, firstly the historical development of semiotics and its relationship with cinema were discussed, and then the film The Giver (2014), which can be considered in the category of dystopic film directed by Phillip Noyce, was analyzed from a semiotic perspective. The film is preferred to be analyzed through visual indicators. Keywords: Semiology, Cinema, The Giver