Özet:

In the middle of the street, a writer Hussein Rahmi Gürpınar swallowed his ears to all the sounds. The plot he hears, the rumor he creates, the voice he tells, the text he exaggerates. The existence of excellent, ideal texts among seven-written works may be discussed. But Hussein Rahmi, a representative of the multi-writing tradition after Ahmet Mithat, wrote a series of values of a period with a feminin sensitivity. Everything that is spoken in the street, in the coffee, in the road, in the house is a material that is just waiting for it to be written. Per he has not created a language that is multi-layer, and that is not a language that carries words; but the text retrospective of the time in which he lived is the whole of visual, concrete values. It is a colorful, intimate, partially pleasant value of a long, prolonged time. The reader who stands between the aesthetic pleasure and experience, with him a great deal of curiosity and satisfaction experienced by the writer who tells the reader a pleasant process, has used to continuity. This form of reading that exposes the reader to a series of communication effects also carries the full transparency of an open work. Hussein Rahmi's novels that directly or indirectly carry the wealth of a woman; the curiosity, speech, aesthetics, etc. that the female spirit hosts. He feeds his intentions in different forms and forms. While witnessing the changes of a transitional period, it actually awakened new awareness. Although at first glance it doesn’t stop as a deep structure, the basic weakness value of the text is that it contains a thought action that remains behind the writing speed. Most of the written is the sum of the cultural values of the language, phallocentric, that is, the falus, which is seen as a language power. A female language has supported artistic narrative by monitoring a period of time in order to witness changes. In Hussein Rahmi’s novel, many texts can be drawn up based on this basic structure. The heart, the heart, and the heart are a step ahead of this.

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