Abstract:

This study examined the female images in the paintings of nine painters in the northern Cyprus who have works in the state collection from women painters. The research is designed according to the quality research method, the document review pattern, and the data is obtained by the semi-structured conversation method and the study of the work content.    The images representing the woman in the paintings of nine female artists who have works in the KKTC state collection have been analyzed according to the categories of social economic situation, space, position in social life, colors, clothes or shades, which art philosophy is close to and which age group they reflect. As a result, female painters, when they use sixteen different painting techniques, use the material and material in a proper way, often use the female image in human figures in their paintings, reflect the female image in their paintings with a philosophical understanding that emphasizes the acceptance of the opposite gender equality, want to see the woman in an external lifestyle, discomfort the woman to be seen as a meth and a popular cultural product, and reflect the female image with the images that represent the woman from all sections with a distant understanding of the self-imagination.

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