Özet:

Though the Earth's sub-literature limits cannot be clearly drawn, it is a place that is worth exploring in terms of the contrary world. The works evaluated within the framework of underground literature have a fundamental feature: reflecting evil. Because it is intended to make the pain of mankind wounded by evil visible. In our novel, especially after the sixties, the influence of value changes and economic disadvantages has begun to exist underground voices. The subterranean literary novels, which have a variety within themselves and are becoming increasingly visible, have gone up from the nineties with the Heavy Novel of Metin Kaçan. The back streets are transformed into an organism that lives with thieves, homeless, homosexuals, endings, murders. Similarly, in the Ice Swords, Latife Tekin offers the reader the identities that are trying to exist in the pencil of poverty, which are overwhelmed and self-sufficient. The Ice Swords, where the street culture is reflected from the language of a female writer, has texts similar to the Heavy Roman as well as an original fiction in itself. In this context, we intend to explore the novel from the fiction and the people of the subject.

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