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İhsan Oktay Anar’ın ilk romanı olan Puslu Kıtalar Atlası, postmodern anlatının teknikleriyle kaleme alınmış bir romandır. On yedinci yüzyıl İstanbul’unda yaşayan Uzun İhsan Efendi’yi merkeze alınarak kurgulanan eser fantastik ögelerle yüklü bir roman olarak karşımıza çıkar. Anar’ın romanlarında genel karakteristik bir özellik olan bu öğeler sanatkârın ilk romanından son romanına kadar belirgin bir yapısal unsur olarak karşımızda durmaktadır. Anar’ın romanları üzerine yapılan pek çok çalışmanın, bahsedilen fantastik ögelerin tespiti, postmodern kurgu unsurlarının tespiti gibi genel geçer betimleme çalışmaları etrafında toplanığı görülmektedir. Ancak diğer tarafta sanatkârın romanlarındaki dili kullanış biçimi veya romanının yapısal özelliklerinin oluşumu üzerine çok az şey söylenmiştir. Özellikle İhsan Oktay Anar’ın dili için karakteristik bir özellik olarak gösterilebilecek olan dil kullanımı ve bu dilin monolojik yapısı üzerinde durulmamıştır. Oysa sanatkârın romanını oluşturan en mühim taraf onun dili kullanışı ve bu yapısal özellikle kurgulanan tahkiye hususiyetidir. Bu makalede İhsan Oktay Anar’ın Puslu Kıtalar Atlası adlı romanı Mihail Bahtin’in monolojik söylemi etrafında tahlil edilecek ve monolojik söylemin ortaya çıkardığı yapı incelenecektir.
The first novel, that Ihsan Oktay Anar, is a novel written by the techniques of the postmodern narrative. The work of Long Ihsan Efendi, who lived in the seventh century in Istanbul, was taken as a novel and loaded with fantastic elements. These elements, which are a general characteristic of Anar's novels, stand before us as a distinctive structural element from the first novel to the last novel. Many studies on Anar’s novels have been gathered around the general description of depictions such as the identification of the fantastic elements and the determination of the elements of postmodern fiction. But on the other hand, little has been said about the use of language in the novelist’s novels or the formation of the structural features of his novel. In particular, the use of language and its monological structure, which can be shown as a characteristic feature of the language of Ihsan Oktay Anar, are not emphasized. However, the most important part of the artist’s novel is his use of language and this structural feature is the feature of the arbitration that has been designed. In this paper, Ihsan Oktay Anar's novel of the Puslu Kontinental Atlas will be analyzed around the monological discourse of Mikhail Bakhtin and the structure revealed by monological discourse will be examined.
Puslu Kıtalar Atlası, that İhsan Oktay Anar's first novel, is a novel written by the techniques of the postmodern narrative. The work of Uzun İhsan Efendi, who lived in the seventeenth century in Istanbul, was taken as a novel and loaded with fantastic elements. These elements, which are a general characteristic of Anar's novels, stand before us as a distinctive structural element from the first novel to the last novel. Many studies on Anar's novels have been gathered around the general description of depictions such as the identification of the fantastic elements and the determination of the elements of postmodern fiction. But on the other hand, little has been said about the use of language in the novelist's novels or the formation of the structural features of his novel. In particular, the use of language and its monological structure, which can be shown as a characteristic feature of the language of İhsan Oktay Anar, are not emphasized. However, the most important part of the artist's novel is his use of language and this structural feature is the feature of the arbitration that has been designed. In this paper, Ihsan Oktay Anar's novel of the Puslu Kıtalar Atlası will be analyzed around the monological discourse of Mikhail Bakhtin and the structure revealed by monological discourse will be examined.
Alan : Eğitim Bilimleri; Filoloji
Dergi Türü : Uluslararası
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