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Öz Mermer ya da taştan yapılan ve yüzeylerinin düzeltilmesi ile elde edilen mezar stelleri, üzerlerindeki yazıt ve betimlerle ölümsüzlüğü simgeleyen antik dönem insanının mesajlarını yansıtan eserlerdir. Bu eserlerde gördüğümüz figürler gerek vücut diliyle gerekse de bir takım sembollerle nasıl bir geçmişe sahip olduklarını, erdemlerini, mesleğini ve ölümden sonra nasıl bir hayat sürme arzusunda olduklarını ifade etmeye çalışmışlardır. Bu istek sadece ölen kişinin değil bazen de ailesinin ilgi alanlarını ve yaşamını açıklayan birçok sembol ve nesnelerden ibaretti. Antik Dönemde Mysia olarak anılan bölge, mezar steli üreten diğer merkezlere göre özel bir yere sahipti. Bu ayrıcalık kendini steller üzerinde işlenen mimari, mitoloji, doğa ve insan figürleri gibi unsurlarda göstermekteydi. Geçmişin bir aynası olarak değerlendirebileceğimiz mezar stelleri üzerinde, oturan ya da ayakta duran erkekkadın figürleri, çocuk figürleri, sunu yapan hizmetçi tipleri ile birlikte ölen kişileri ya da ailesini temsil eden unsurlar ele alınarak verilmek istenen mesajlar yorumlanacaktır. Anahtar Kelimeler: Mezar steli, Mysia, İkonografi Abstract Funerary steles which are obtained by glazing their surfaces and made of marble or stone with the purpose of those who are deceased are the works symbolizing eternity with the inscriptions and descriptions on. The figures seen on those works try to represent what kind of history they have, their virtues, professions and what kind of life they would like to have after death through their body languages and various symbols. This wish is sometimes made up of many symbols and materials explaining not only the deceased but also the interests and lifestyle of the family of the deceased. The region called Mysia in the Ancient Period (most parts of the Southern Marmara) had a special place in proportion to the other centres where funerary steles are produced. This privilege is based on the presentation of elements such as architecture, nature, mythology and human figures on funerary steles within a wide composition. Funerary steles which are evaluated as the mirror of the past will be explained through the messages which are given via symbols of male, female and child figures, and serving maidens. Keywords: Funerary steles, Mysia, Iconography
The tomb stars made of marble or stone and obtained by the repair of their surfaces are works that reflect the messages of the ancient man who symbolizes immortality with the scripts and paintings on them. The figures we see in these works have tried to express, either in the body language or in a set of symbols, how they have a past, their virtues, their profession, and how they want to live after death. This desire consisted of many symbols and objects that explained not only the person who died, but sometimes the interests and life of his family. The area, called Mysia in ancient times, had a special place compared to other centers producing tomb stels. This privilege demonstrated itself in elements such as architecture, mythology, nature and human figures processed on the stells. On the tomb stars we can consider as a mirror of the past, the messages will be interpreted by addressing the figures of the male woman sitting or standing, the figures of the children, the types of servants presenting the deaths, or the elements representing her family. Keywords: Cemetery Stell, Mysia, Iconography Abstract Funerary steles which are obtained by glazing their surfaces and made of marble or stone with the purpose of those who are deceased are the works symbolizing eternity with the inscriptions and descriptions on. The figures seen on those works try to represent what kind of history they have, their virtues, professions and what kind of life they would like to have after death through their body languages and various symbols. This wish is sometimes made up of many symbols and materials explaining not only the deceased but also the interests and lifestyle of the family of the deceased. The region called Mysia in the Ancient Period (most parts of the Southern Marmara) had a special place in proportion to the other centers where funerary stars are produced. This privilege is based on the presentation of elements such as architecture, nature, mythology and human figures on funerary stars within a wide composition. Funerary stars which are evaluated as the mirror of the past will be explained through the messages that are given through symbols of male, female and child figures, and serving maidens. Keywords: Funerary steles, Mysia, Iconography
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