Özet:

Music, which cannot be separated from dance, ceremony and sacred by its origins, is a kind of communicative medium which enables communication between social actors through the sound that forms the basis. Like all other forms of art, music cannot be isolated from its social context. Each work of art is a combination of signs and a subject that constructs a world in a certain historical social context - out of reality - as well as an object built. Music is the subject of sociology in terms of gaining meaning in a social context. In terms of the complex indicators it contains, it is one of the most difficult areas for semiotics. Music is not only the product of the artist who composed it, but also the ideas, thoughts, emotions, expectations, etc. that lie behind the emergence of this product in the artist's mind. is also the product of the community. Through the indicators emerging in semiotic analysis, music works can be read in a more meaningful way. Starting from Ferdinand de Saussure, the founder of semiotics, to Roland Barhes, many thinkers tried to reveal the relationship between language / word, social / individual duality. Man has other abilities, such as language skills, which enable him to communicate with other social actors and society, and uses various ways of expressing himself using the languages of arts such as music and painting.

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