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Bu çalışmada Türk müziğinde sıkça yapılan transpoze/şed(göçürme) konusu ele alınmış olup, Betimsel bir modelle ve tarama yöntemiyle yürütülerek araştırılmıştır. Türk müziğinde etkili bir icra için transpoze/şed (göçürme) gereklidir. Batı müziğinde transpoze( transpozisyon) diye adlandırılırken Türk müziğinde ise şed/ göçürme, ya da bir ses, dört ses, beş ses vb. gibi isimlerle kullanılmıştır. Batı müziğinde zor tonları sadeleştirerek daha verimli performans için başka tonlara aktarılarak traspoze yapılırken, Türk müziğinde durum temelde aynı olmakla birlikte biraz farklılıklar göstermektedir. Türk müziğinde başka perdelere göçürülen (transpoze edilen) herhangi bir eser sanki değişik birer makammış gibi bir grup oluşturmuşlardır. Türk müziğinde bir makam hangi perde üzerine göçürülmüşse yani durak perdesi olmuşsa, o perdenin ismiyle makam adlandırılır. Örneğin Yegah’ta rast makamı, hüseyni aşiranda hüseyni makamı dizisi gibi. Ayrıca Türk Müziği sazları içerisinde ney sazı, değişik türlerinden ve ses alanlarından dolayı Türk müziğinde transpozeye en elverişli sazlarımızdan birisidir.
In this study, the subject of transposes/shed (shed) frequently in Turkish music has been discussed, and it has been investigated by a visual model and scan method. Transpose/shed is required for an effective performance in Turkish music. In Western music it is called transposition, while in Turkish music it is transposition, or a sound, four sounds, five sounds, and so on. They are used with names. In Western music, the hard tones are simplified and transposed to other tones for more efficient performance, while in Turkish music, the situation is basically the same, although it shows some differences. In the Turkish music, any work transmitted (transposed) into other curtains formed a group as a different one-to-one. In the Turkish music, if an office has been moved on which curtain, that is, if it has been a stop curtain, it is called the office by the name of the curtain. For example, in the case of the court in Yegah, the court of the court of the court of the court of the court of the court of the court of the court. Also in the Turkish music sound, the ney sound is one of our transposable sound in Turkish music due to its different types and sound fields.
The issue of transposition/shed (göçürme), frequently conducted in Turkish Music, has been deal with in this study. The study hes been done with a descriptive model and scanning method. Transposition /shed (göçürme) is required for a successful performance in Turkish Music. While it is named as transposition in western Music, its name is shed/ göçürme or one sound, four sound, five sound, etc. İn Turkish Music. While transposition is conducted in western music through the difficult tones being simplifield and transposed to other tones for a beter performance, the case is basically the same in Turkish Music though it has some differences. The Works transposed to other pitchs in Turkish muic form a group as if they were a different maqam. A maqam is named after the pitch on which it is transposed in Turkish Music. For example, rast maqam in yegah and huseyni maqam in huseyni asiran. Of the Turkish Musical instrumentns, ney is one of the most suitable instruments for transposition in Turkish Music due to its diverse types and sound fields.
Field : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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