Abstract:

Irk Bitig, the first verbal abid of the city culture, IX. YY . The book is written in the Alphabet of Göktürk and is based on good and evil contradictions. Founded on the Asonans Cave, Irk Bitig is an important work in terms of the reality of events and events in life and the ability to open the wave. Repeat repetitions hold an important place. The aliterations, which are one of the characteristics of ancient Turkish poetry, are often found in Irk Bitig. Thus, the monitoring of the sounds can be considered as the principle of ensuring fluency in the ear. The Uyghur literature and ancient Turkish poet Irk Bitig played an important role in the formation. In short, the functionality of this text appeared in a manner that corresponds to the verbal culture code, and the prophecy paradigm was presented in the context of the Turkish religious-mithological facts. In Irk Bitig, the bedie complements attract attention. In addition to these complements, the usly parallelisms gave the work a high literary aesthetic. One of the most important aspects of the work is that it is written in the language of speech. The quarters in Irk Bitig, where the gender-poetry unification is characteristic of the verbal culture tradition, have developed in the form of "mani" in Anadolu, "many" in Azerbaijan, ensuring the formation of a new kafiye system, and thus revealed the possibility of the Turkish poetry to follow the historic development process. In this article, the text of the race Bitig was discussed in the context of verbal cultural integrity, and the principle of heredity of civilization was once more emphasized.

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