Abstract:

The art that has emerged along with human history has evolved along with the art that has evolved in the historical process and is unique to man. The art has focused on beauty, the aesthetic science. He has renewed himself according to the concepts of aesthetic science that studies the artist, the aesthetic object, the artwork, and the achieving essence. The reason for this renewal is that the concept of beauty changes over time. The pursuit of the idea of seeing what is beautiful in ugly has brought new searches to the aesthetic science, and the aesthetic value has been formed again. In the art where thought and emotion are based, the creativity of the artist, the essence, has been in integrity with life. The values of the object revealed the attitude of the object to the object, the re-treatment of the traces of life by the object and the formation of the object the level of creativity of the object. Gustav Klimt and Egon Schiele are two artists who expressed many things about life in different forms. The symbolist painter Gustav Klimt has kept the decoration in his works in the forefront. He saw the image of a woman as a symbol of beauty, and in his works he used the image of a woman to refer to themes like birth, death. The expressionist painter Egon Schiele, who has seen Gustav Klimt as his master, has founded the negative aspects of life and mixed his thoughts with the events he has experienced and presented unhappy, desperate, depressive, sick figures. He has discovered the beauty of his erotic pictures in the ugly holand. Gustav Klimt and Egon Schiele have produced very important works in their own style. The works they have produced have also re-interrogated the concept of beauty while giving the audience information about themselves, their own lives, thoughts and feelings. The purpose of this study is to study the works of Gustav Klimt and Egon Schiele, to explore the relationship between the attitude of the object to the object and the attitude of the object to the object.

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