Görüntüleme
169
İndirme
31
Ouml;ZET Sanatta, bireysel eğilimlerle başlayan modernist ve postmodernist accedil;ılımlar sonucunda iccedil;eriğin egemenliği yerini kurgusal arayışlara bırakır. Pınar Kuuml;rrsquo;uuml;n, polisiye romanın Tuuml;rk edebiyatında yeni yeni keşfedildiği, yuuml;ksek edebiyattan sayılmadığı yıllarda yazılan Bir Cinayet Romanı adlı romanı yaklaşık aynı douml;nemde yazılan diğer polisiyelerle birlikte farklı kurgusuyla tuuml;ruuml;n edebiyatımızdaki en ouml;nemli ouml;rneklerindendir. Cinayet romanının kurgusunun sorgulandığı eser yazılış hikacirc;yesini iccedil;inde barındırır. Hem iccedil;erik hem de teknik accedil;ıdan yazarın diğer romanlarından tamamen farklı olan Bir Cinayet Romanı teknik olarak da Tuuml;rk edebiyatında polisiye roman tuuml;ruuml;ne sıra dışı ve yeni bir kapı aralar. Yazarın amacı polisiye tuuml;ruuml;ne bir ouml;rnek daha katmak değil, bu tuuml;ruuml;n ouml;zelliklerini, kalıplarını, konvansiyonlarını sergilemektir. Bir diğer ifadeyle, hem iccedil;inde cinayetin olduğu polisiye tuuml;rde bir roman, hem de bu roman aracılığıyla polisiye tuuml;r uuml;zerine yazılmış bir uuml;st kurmaca sunmaktadır. Anahtar Souml;zcuuml;kler: Tuuml;rk Romanı, Pınar Kuuml;r, Bir Cinayet Romanı, Postmodern Polisiye, Uuml;stkurmaca ABSTRACT As a result of the modernist and postmodern perspectives, which started with individual tendencies, the sovereignty of the content leaves its place to fictional searches. In the years when a detective novel was newly discovered, it was not considered in the high literature, but around the same period Pınar Kuuml;rrsquo;s novel Bir Cinayet Romanı (A Murder Novel) was one of the most important examples in our literature with a different fiction. The book, in which the fiction of the crime novel is questioned, includes the syntax of the story. The author, whose Bir Cinayet Romanı (A Murder Novel) is totally different from his other novels in both the aspects of content and technique, opens an unusual and a new door to the detective novel type in Turkish literature technically, as well. The purpose of the author is not to add another example to the detective type, but is to show the characteristics, patterns and conventions of this type. In other words, it offers a type of detective novel in which there is murder and a metafiction which is written in detective type through this novel. In this context, Bir Cinayet Romanı (A Murder Novel) addresses the mechanism of the murder novel more, even illustrates its anatomy. In this context, it can be evaluated in detective novels, which is considered as one of the detective types and called as ldquo;Whodonitrdquo;. There is solving a fiction murder in detective novels. However, in Pınar Kuuml;rrsquo;s novels, this time, it tries to resolve the fictional structure. Therefore, the problem of narrative becomes as important as the murder.nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; Key Words: Turkish Novel, Pınar Kuuml;r, A Murder Novel, Postmodern Detective Story, Metafiction.
In the art, the modernist and postmodernist açs result, the dominance of the içs place is left for fictional searches. Pınar Kür’ün is one of the newly discovered police novel in the Türk literature, a murder novel, written in the years where it is not counted from the yüs literature, with the other police writes about the same döme and with different fiction türün is one of the most önecessary örnekes in our literature. The story of the murder novel is questioned by the work containing hikâyes in iç. A murder novel, which is completely different from the other novel by both içerik and technical açit, technically also türk literature is an unusual and new door to the police novel türü. The author’s goal is not to add a more türü to the police, but to show these türünös characteristics, patterns, conventions. In other words, both in iç is a türde novel to the police in which the murder was committed, and through this novel it offers the police a tür üst fiction written about it. Key Sözcükler: Türk Roman, Pınar Kür, A Murder Roman, Postmodern Police, Üstkurmaca ABSTRACT As a result of the modernist and postmodern perspectives, which started with individual tendencies, the sovereignty of the content leaves its place to fictional searches. In the years when a detective novel was newly discovered, it was not considered in the high literature, but around the same period Pınar Kür’s novel was one of the most important examples in our literature with a different fiction. The book, in which the fiction of the crime novel is questioned, includes the syntax of the story. The author, whose A Murder Novel is totally different from his other novels in both the aspects of content and technique, opens an unusual and a new door to the detective novel type in Turkish literature technically, as well. The purpose of the author is not to add another example to the detective type, but is to show the characteristics, patterns and conventions of this type. In other words, it offers a type of detective novel in which there is murder and a metafiction which is written in detective type through this novel. In this context, A Murder Novel addresses the mechanism of the murder novel more, even illustrates its anatomy. In this context, it can be evaluated in detective novels, which is considered as one of the detective types and called as “Whodonit”. There is solving a fiction murder in detective novels. However, in Pınar Kür’s novels, this time, it tries to resolve the fictional structure. Therefore, the problem of narrative becomes as important as the murder.
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