Abstract:

The aim of this research is to try to analyze the Akatünvel Art Community, which has preserved its existence from 1967 to the present day, through the artists’ philosophical approaches and plastic speeches. The research method will take advantage of the form of philosophical analysis that tends to the layers of existence of ontology and the forms of interaction created by aesthetics between the creative, the audience. On the basis of Ontology-esthetic integrity, in this text, which will go to motion-to-solutions, in the local and universal sense, the Akatünvel Art Community will try to adopt a general-specific approach by motion from the art environment and establish a theoretical-practical relationship with solutions to be made through the clear examples of members of the community. The community, in an ontologist approach that focuses on man, strives to reach the "human indexed essence" with an original aesthetic understanding by moving from the reaction to the individualist art without any concerns about forming. The artists, who are trying to reflect a pure speech in their works, are aimed at creating a world that can be mixed between the audience and the painter, ensuring the integration of human will with the art-human with the universe. The community in our active art world between the years 1967-2019 has left all the formal elements on the one hand and expressed their ontological attitudes in their works with a simple and careful expression. They have assumed a creative role in terms of the immortality of art, combining the basic and physical characteristics of man with art. In the figures they have created, they have combined the consciousness of being human with art by giving a thought dimension as they are deprived of unpersonal, time and real interests.