Özet:

In the field of art history, the paintings that tell the stories of Adam and Havva in the sacred books have taken an important place. These works are different techniques by many artists (minature, oil painting, fresco, mosaic, etc.) It is known that it is made in compositions. Starting with the creation of Adam and Havva, it was applied in its works with the individuality of the iconographical artists, described in the form of the eating of the forbidden fruit and then expulsion from heaven. In the Islamic geography, in miniatures, and in Christian geography, it is possible to see many paintings of Adam and Havva in Western-style paintings. The comparisons and analyses of these paintings through the iconographs have been evaluated in accordance with the Iconographic and Iconological Critical Method, which we can describe as the theory of meaning in visual arts by German art historian Erwin Panofsky. The commitment to the traditions of the works is focused on the individuality of the artists, the development of the images of Adam and Havva and their similarities and differences with each other. The iconography of Adam and Havva; the creation of Adam and the sect of the angels to Adam, the creation of Havva, the forbidden fruit and the expulsion from heaven are studied with pictures under the titles. The study subjects of the minyatures and Western style paintings are also compared with each other, taking into account the teachings of the societies to which they belong. While there are countless paintings on the story of Adam and Havva’s life in the world, specific works have been selected because it is not possible to include them all in this work. In the study; in the source of the Qur'an, the Islamic artists created in the works such as Falname, Short-l-Enbiya, Hadikatü's-Süeda, Menafi El-Hayvan, Kitab'el-Asar el-Bakiya and Zübdetü't Tevarih and in the Western art Michelangelo Buonarroti, Hugo Van der Goes, Hieronymus Bosh, Albrecht Dürer, Jan Bruegel, Paolo Uccello, Massaccio, Charles-Joseph Natoire and Tiziano Vecellio made through the iconography of the Tevrat famous artists. In addition to the absence of two-dimensional practices and perspective understanding in the miniature in Islamic art, the three-dimensional painting tradition in Western art, deep-perspective practices, vibrant colors and realism are very important in terms of meeting the meaning theory of Erwin Panofsky. In all of these works, the diversity in the paintings of Satan and the serpent, the symbolic practices that expressed the status before and after the forbidden fruit scene of Adam and Havva, and the status of the forbidden fruit being described as an apple in the paintings have been remarkable.

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