Özet:

This study was carried out in order to determine the reflections of the mythology of the music competition of Apollo and Marsyas on the visual arts of Antiquity and Europe. In order to determine the way this mythological event is depicted in 29 works of 24 artists whose works of visual arts describing this competition can be accessed by scanning a large area of the summer, a descriptive analysis has been carried out to determine the way this mythological event is depicted. The study was examined in terms of historical period, objects used, body movements and placement of figures according to composition, emotional states, dressing styles and prominent aspects according to the characteristics of body limbs. According to the findings obtained from the data; In the ancient period, B.C 4th and 5th centuries, 15th century in Europe and 19. where yy is committed between heavily by artists for the period according to different musical instruments used, especially in the last scene of the story so often highlighted as a punishment for disobedience to God Marsyas the skinning of myth, the weak with the strong, it was noted that he was paying attention to the conflict between. In the works, King Midas is showns a referee in different forms and in different clothes.