Özet:

Sciences can be used in various forms. The theater and the cinema work in this area. Mikhail Bahtin, Roland Barthes and Todorov were important names of the narrative studies. Gérard Genette was known for his work of the Tale. He has divided his narrative into five titles: “Regular”, “Term”, “Frequency”, “Chip” and “Voice”. The term "regular", "time" and "frequency" are the concepts that tell the relationship of time with the story. “Kip” represents the story, and “Voice” describes the story. The Seven Husband Hürm, first written and filmed in the form of a script, then filmed as a theatrical creation. In 1963 Yılmaz Atadeniz, in 1971 Atıf Yılmaz, and in 2009 Ezel Akay was transferred to the white curtain. In our study, Gérard Genette’s Story Story study has been used to compare the story of the Seven Husbands with the theatrical work of his films from a scientific point of view.

Anahtar Kelimeler:

Özet:

Narratology provides opportunities for numerous studies due to its applicability to various branches. There are various studies in this area researching on theatrical productions and screenplays. Roland Barthes constructional analyzed narratives by transposing the universality of them, as the first doing so in the narratology studies. This continued by Gérard Genette establishing Poetique magazine with Todorov. Gérard Genette is acknowledged for his work Narrative Discourse. He basically divided the narrative discourse into five headings: “Order”, “Time”, “Frequency”, “Mood” and “Voice“. “Order”, “Time” and “Frequency” are the concepts that express the relationship between narrative and time. “Mood” expresses the representation of narrative, and “Voice” expresses the narrative status. Yedi Kocalı Hürmüz was first scripted, and turned into screenplay, then later written out as a theatrical production. It was adapted into screenplays by Yılmaz Atadeniz at 1963, by Atıf Yılmaz at 1971 and by Ezel Akay at 2009. In this study, Yedi Kocalı Hürmüz theatrical production and screenplays are narratological compared by means of Gérard Genette’s work Narrative Discourse.