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Klasik edebiyatımızda şerh geleneği yüzyıllardan beri devam eden bir süreçtir. Şârihler belli bir gelenek çerçevesinde eserleri yorumlamış, divan şiirlerini geleneksel şerh metoduyla açıklamışlardır. Günümüzde ise modernizm ile birlikte edebiyatta birçok kuram oluşmuştur. Bu teorik kuramlar edebiyata yeni boyutlar kazandırmış, daha sonra pratiğe dökülerek edebî metinlere farklı yaklaşılmasına zemin hazırlamıştır. Bu yeni yaklaşımlardan biri de ontolojik analiz metodudur. İlk defa Roman Ingarden tarafından uygulanan bu metotta varlık tabakalarının sanat eseriyle ilişkisi irdelenmiştir. Metin merkezli bir teknik olan bu yaklaşımda, sanat eserinin mevcudiyetinden yola çıkılarak metin-okuyucu ilişkisi, estetiğin kapsamı irdelenirken katmanlara işlevsellik ve klasik şerh yöntemine farklı bakış açısı kazandırma bu tekniğin başlıca felsefî hedefleri olmuştur. Çalışmamızda Taşlıcalı Yahya Bey’in Şehzade Mustafa için yazmış olduğu mersiyeyi bu metotla inceleyeceğiz. Ontolojik metodun gelişimi, içeriği ve pratiği hakkında bilgi verildikten sonra Yahya Bey'in Şehzade Mustafa Mersiyesinin birinci bendini bu metotla analiz edeceğiz. Mersiyedeki birinci bentten yola çıkarak şairin psikolojik dünyası, semantik bölümü, kelimelerin algısal olarak karşılığı obje ve karakter imajı ve son olarak da kader katmanı eserde tetkik edilen belli başlı konulardır. Mezkur bölümler incelenirken klasik şerh yöntemindeki bazı uygulamalar ile uyumlu olduğu, bu yöntemin klasik şerh ile birçok ortak temasının olduğu görülmüştür. Edebi sanatların ele alınışı, metnin nesre çevrilmiş hali ve şiir tahlilinden önce verilen metin ile ilgili teknik bilgiler bunlardan birkaçıdır.
In our classical literature, the tradition of honour has been a process that has been ongoing for centuries. The sheriffs interpreted the works in a certain tradition framework, and described the divan poems in the traditional sheriff method. Nowadays, many theories have been formed in literature along with modernism. These theoretical theories brought new dimensions to literature, and then brought them into practice and prepared the ground for a different approach to literary texts. One of these new approaches is the ontological analysis method. For the first time, this method applied by Roman Ingarden was the connection of the layers of existence with the artwork. In this approach, which is a text-centered technique, from the presence of the artwork, the text-reading relationship, the scope of the aesthetics, and the functionality of layers and the different perspective of the classical method of praise have been the main philosophical objectives of this technique. In our work, we will examine the mercy that Mr. Taşlıcalı Yahya wrote for Mr. Şehzade Mustafa with this method. After information about the development, content and practice of the Ontological method, we will analyze the first paragraph of Mr. Yahya's Şehzade Mustafa Mersiyai with this method. Starting from the first paragraph in Mersia, the poet's psychological world, the semantic section, the perceptively corresponding object and character image of the words, and finally the fate layer, are certain main topics examined in the work. It has been found that Mescur parts are compatible with some practices in the classical sherh method when studied, and that this method has many common themes with the classical sherh. The interpretation of literary arts, the state of the text and the technical information about the text given before the poem review are some of them.
Commentary tradition in our classical literature is a process that has been going on for centuries. The commentaries interpreted a certain tradition interpretation works and explained the poetry poems with the traditional commentary method. In contemporary, he is in literature together with modernism. These theoretical theories brought new dimensions to literature, and later, a different approach ground was prepared for literary texts. One of these new approaches is the ontological analysis method. The first assumed is used by Roman Ingarden. In this method, the relationship between paper layers and the artwork is examined. In this approach, which is a text-based technique, the text-reader relationship is based on the functionality of the layers and the classical annotation method, while examining the scope of the aesthetics, in order to derive from the existence of the artwork.This method will examine the dirge that Yahya Bey wrote by Prince Mustafa. Yahya Bey will analyze the first sub clause of Prince Mustafa mersiah with this method. Based on the first paragraph in dirge, the psychological world of the poet, the semantic part, the perceptual equivalent of words, the object and character image, and finally the layers of destiny are the main subjects examined in the work. By examining the mentioned sections, it is seen that this method is compatible with the applications related to the classical annotation method, and this method has a common theme with the annotation. Handling of literary arts, translating the text into prose and technical information about the text given before poetry analysis are some of them.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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