Abstract:

In the tradition of classical Turkish literature, material elements are used in the narration of non-material facts through various vocal arts. The similarity between material and spiritual elements, based on color, shape, smell and similar characteristics, is very important in creating poetry dreams. Although in tradition the similarities have a shaped structure, the poets, with the various contexts and original dreams they have created in their poems, have tried to make them possessed and thus obtain bikrimazmun. Valuable stones such as Lal, Inch, Coral and Zymruth can also be assessed in this context. The XVI. From the century Ottoman field divan poets, Bursalı Celîli, in the poems in the divan, has widely taken advantage of the precious stones that tradition accepts. Related Topics: Faith Faith as a Function of Prayer Faith as Gift of God Faith, Living Fasting Loyalty Prayer Prayer as Contact with God Prayer as Conversation Prayer as Fellowship Prayer's Purpose Prayer, Effectiveness in Prayer, Power of Praying Always Praying at All Times Praying without Ceasing Relationship with God Trust Unbelief Weak Prayer Life It has also been used to draw attention to the precious stones. In this study, the valuable stones passed in the Celili Divan were identified and evaluated, so that the poet was attracted to the way the abstract elements he described in his poems, what words he used in doing so, how he created dreams, and in what contexts he dealt with the valuable stones. It also enables the work to obtain some data about the poet’s culture, thought and poet’s world.

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