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FEHÎM-İ KADÎM’İN “Mİ OLDUN” REDİFLİ GAZELİNDE İMGESEL SÖYLEM
2022
Journal:  
Gaziantep University Journal of Social Sciences
Author:  
Abstract:

İmge, en genel tanımıyla dış dünyaya ait nesnel gerçekliğin zihinde bıraktığı intibadır. Başka bir deyişle şairin, dış dünyadan aldığı zihinsel uyarımları yeni bir teşbih yahut da metafor olarak ifade ediş şeklidir. Bir söz ya da söz grubunun akla ilk gelen manası dışında bir veya birden fazla manayı çağrıştırması olan imge, şiirin değer kazanmasında önemli bir role sahiptir. İmgenin gücünden istifade etmek de şiir dilinin zenginliğinin doğal bir sonucudur. İmgesel söylem, gündelik dilden farklı olarak yaratılmış olan dilin imkânlarını zorlayarak inşa edilmiş olan yeni dille manayı katmanlı hâle getirmektir. Klasik şiirin kuruluş dönemlerinde basit mazmunlar kullanılırken sonraki dönemlerde şiirdeki incelmelerle hayaller genişlemiştir. Bilhassa girift hayallerle zincirleme tamlama ve orijinal terkipleri kullanan Sebk-i Hindî şairlerinde çarpıcı yeni imajlar yaratma girişimleri neticesinde imgesel anlatım daha da yaygınlaşmıştır. Bu çalışmanın konusu Fehîm-i Kadîm’in “mi oldun” redifli gazelinin sembol dünyasıdır. Çalışmaya konu olan şiirin şairi Sebk-i Hindî’in ustalarından olduğundan öncelikle bu edebî akım ve şairin biyografisi hakkında bilgi verilecek, daha sonra da şiir incelenerek sonuca bağlanacaktır.

Keywords:

Imagic Discourse In Fehîm-i Kadi̇m's Gazel “mi̇ Oldun” Redi̇f
2022
Author:  
Abstract:

In its most general definition, the image is the impression left in the mind by the objective reality of the outside world. In other words, it is the poet's way of expressing the mental stimulation he receives from the outside world as a new simile or metaphor. An image that evokes one or more meanings other than the first meaning that comes to mind of a word or group of words is called an image. It has an important role in the appreciation of poetry. Making use of the power of the image is a natural result of the richness of the poetic language. Imaginary discourse is to layer the meaning with the new language that was built by forcing the possibilities of the language that was created different from the everyday language. While simple mazmuns were used in the founding periods of classical poetry, dreams expanded with the refinements in poetry in the following periods. As a result of attempts to create striking new images, especially in Sebk-i Hindi poets who use chain phrases and original compositions with intricate dreams, imaginary expression has become more widespread. The subject of this study is the symbolic world of Fehîm-i Kadim's ghazal with "did you become" redif. Since the poet of the poem that is the subject of the study is one of the masters of Sebk-i Hindi, firstly, information will be given about this literary movement and the poet's biography, and then the poem will be examined and concluded.

Keywords:

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Gaziantep University Journal of Social Sciences

Field :   Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Uluslararası

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Gaziantep University Journal of Social Sciences