Özet:

This article; It examines the field of artistic action, where the artist finds ways to express himself and convey his feelings and thoughts, through autobiographical life details, and provides visual and theoretical basis on how experiences affect the form and content of art. Memories are memory data that can be remembered later or loaded into subconscious stores. Each data takes its place in memory with a coding of emotions and thoughts. The conditions of forgetting and remembering are graded based on the feelings created by the artist's memory, and these sensations turn into an imaginary representation in memory. In the article, the contributions of art to the treatment of the sensations experienced by the artist due to his traumas are opened to discussion and interpretation. Bringing trauma into discussion within this approach also emphasizes the special effect of art, which we can call its symbolizing power. Art can create a transitional space where the boundaries between subject and object become blurred and thus pre-existing restrictions disappear. Special functions of art, such as symbolization and translation, trigger the power of creation. With this mission, art makes trauma and its traces visible through re-meaning and different variations. The necessary conditions for the transformation of trauma into an artistic product must be provided technically by the artist. Kathe Kölwitz, Luzene Hill, Yayoi Kusama, Jackson Pollock, and Louise Bourgeois are important names that can be given as examples to understand, interpret and explain trauma and the effects of these traumas on artists.

The artist, who makes artistic production based on his autobiographical life experiences, will have accepted the audience into his private spaces, thus making an invitation to an interactive dialogue in his private space. artistic expression; It will turn into the artist's challenge to himself, and as a result of his interaction with his emotions, a designed healing space will be opened.

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