User Guide
Why can I only view 3 results?
You can also view all results when you are connected from the network of member institutions only. For non-member institutions, we are opening a 1-month free trial version if institution officials apply.
So many results that aren't mine?
References in many bibliographies are sometimes referred to as "Surname, I", so the citations of academics whose Surname and initials are the same may occasionally interfere. This problem is often the case with citation indexes all over the world.
How can I see only citations to my article?
After searching the name of your article, you can see the references to the article you selected as soon as you click on the details section.
 Views 31
 Downloands 1
Afrasyab Duvar Resimlerinde Türk Gruplarının Yer Alış Biçimi
2020
Journal:  
Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
Author:  
Abstract:

Orta Asya’nın eski toplulukları arasında yer alan Soğdlar, tarihi kaynaklarda Sougdian ve Sougdi şeklinde yer almaktadır. Soğdlar, M.Ö. VI. yüzyıldan, M.S. X. yüzyıla kadar, özellikle Mâverâünnehir bölgesinde hüküm sürmüşlerdir. İpek yolu üzerinde ticaret ile uğraşan Soğdlar, Türkler ile yakın ilişkiler kurmuşlardır. Türk hâkimiyetinde kalan Soğdlar Türkler ile kültürel ve sanatsal etkileşimlere girmiş ve birbirlerinin sanatsal biçimlerini etkilemişlerdir. Soğdlara ait VII. yüzyılda yapılmış olan Afrasyab duvar resimleri konu ve teknik bakımdan oldukça önemlidir. Soğdlu hükümdar Varkhuman’un sarayının duvarlarında yer alan Afrasyab duvar resimlerinde farklı konular bir arada bulunmaktadır. Betimlenen konular arasında yönetimsel olarak hâkimiyetlerinde bulundukları Türklere atfen yapılmış betimlemeler özellikle, batı duvar resimlerinde yer almaktadır. Güney ve doğu duvarında, farklı yorumlamaları bulunan betimlemelerde Türklere ait olduğu ileri sürülen sahneler bulunmaktadır. Araştırmamızda duvar resimlerinde yer alan bu betimlemelerin görsel anlatımları ve sembolik anlatımları, Panovsky’nin ikonografik eleştirisi kuramı doğrultusunda çözümlenmiştir. Resimlerde yer alan Türklere ait olan semboller, renkler ve betimsel imgeler dönemin özellikleri doğrultusunda açıklanmıştır.

Keywords:

The way of buying the place of Turkish groups in Afrasyab Wall Pictures
2020
Author:  
Abstract:

Located among the ancient communities of Central Asia, the Colds are located in the form of Sougdian and Sougdi in historical sources. It is cold, m. and VI. The century, M.S. They ruled until the Xth century, especially in the Mâverânehir region. The Colds, who deal with trade on the Silk Road, have established close relations with the Turks. The Cold Turks, who remained under Turkish domination, entered cultural and artistic interactions with the Turks and influenced each other’s artistic forms. The Cold VII. The Afrasyab wall paintings made in the century are very important in the subject and technical terms. The Afrasyab wall paintings, located on the walls of the Cold King's Palace of Varkhuman, have different subjects together. Among the subjects that are described, the representations of the Turks in their administrative sovereignty are in the western wall paintings. On the south and east walls, there are scenes claimed to belong to Turks in the images with different interpretations. The visual narratives and symbolic narratives of these paintings in our research have been resolved in accordance with Panovsky’s iconographic criticism theory. The symbols, colors and pictures belonging to the Turks in the pictures are described according to the characteristics of the period.

Keywords:

The Formation Of Turkish Groups In Afrasyab Wall Paintings
2020
Author:  
Abstract:

Sogdids, among the ancient communities of Central Asia, are included in historical sources as Sougdian and Sougdi. Onions have ruled the Mâverâünnehir from the VI. until the Xth centuries. Sogdars engaged in trade on the Silk Road and established close relations with the Turks. The Sogdids, remained under Turkish rule, got historical and cultural interactions with the Turks and influenced each other's complex forms. Afrasyab wall paintings of Soğdlara, one of the ancient peoples of Central Asia, are quite important in terms of subjects and techniques. Afrasyab wall paintings on the walls of the Sogdian ruler Varkuman's palace contain different subjects. There were depictions made about the Turks that they had dominated in managerial terms. On the southern and eastern walls, there are scenes claimed to belong to the Turks. The visual expressions and symbolic expressions of these descriptions in the wall paintings are aimed to be analysed. The symbols, colours and descriptive images of the outgoing Turks are explained.

Keywords:

Citation Owners
Information: There is no ciation to this publication.
Similar Articles








Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi

Field :   Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Uluslararası

Metrics
Article : 779
Cite : 1.507
2023 Impact : 0.181
Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi