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Poetika, şairlerin şiirlerini yazarken ait oldukları şiir geleneğinin kurallarını içeren bir terimdir. Her şairin şiir geleneğini inceleyerek şiir anlayışı ile ilgili yapılan çalışmalar, şairlerin zihinsel altyapısını ortaya çıkarmak açısından önemlidir. Dîvân şiiri göz önünde bulundurulduğunda şairlerin şiir anlayışları; tezkireler, dîvânların ön sözü, kasidelerin fahriye kısımları, gazellerin mahlas beyitleri ve şiir unsurlarının yer aldığı bazı şiir ve beyitlerle incelenebilmektedir. Şairler, şiirlerinin güzelliğini ve etkinliğini vurgulamak için dîvânlarında çeşitli sanatlara ve çok sayıda mazmûna atıfta bulunmuşlar, böylece eserlerinde şair ve şiire ilişkin düşüncelerini yansıtmışlardır. Dîvân şairinin hayatı algılama biçimini şiirine yansıttığı eserler, Osmanlının zihinsel altyapısını sunmaktadır. Şairler öncelikle şiirde anlama önem vermişler ve eserlerini bu noktadan hareketle yazmışlardır. Şairler, kaleme döktükleri şiirlerinin kelimelerden hareketle anlaşılamayacağını, sadece kalp gözüyle şiire bakan kişiler tarafından anlaşılacağını ifade etmişlerdir. Hâl böyle olunca, her şairin şair ve şiir hakkındaki görüşleri incelenmeli, Osmanlı şairlerinin şiire yaklaşımı tanıtılmalı ve Osmanlı şiirinin anlam ekseni ortaya konulmalıdır. Tırsî, 18. yüzyıl dîvân şairi ve hattatlarından biridir. Kaynaklarda, onun asıl adının İbrahim olduğu belirtilmektedir. İbrahim Tırsî, günlük yaşamla ilgili birçok konuyu ele almış; giyim, yemek, müzik, el sanatları gibi sosyal yaşamın çeşitli alanlarını şiirine yansıtmıştır. Onun şiirden beklediği sadece eğlenmek ve eğlendirmektir. Şiirleri hezliyât tarzındadır. Şiirde benimsediği bu üslup, şiirlerin içeriğini komik bir hâle getirmekten ibarettir. Bu çalışmada, İbrahim Tırsî'nin kendi şairliği ve şiiri hakkındaki fikirleri ortaya konulmaya çalışılmıştır. İbrahim Tırsî’nin dîvânını analiz neticesinde, gazellerin mahlas beyitleri, kasidelerin fahriye kısımları ile şair ve şiire dair fikirleri eksenindeki diğer beyitler araştırma sırasında çalışmaya ışık tutmuştur.
Poetry is a term that contains the rules of the poetic tradition that poets belong to when writing their poems. Study of poetry by studying every poet’s poetry tradition is important for the purpose of revealing the poet’s mental infrastructure. When the poem is taken into account, the poems can be studied with the poems and poems in which the poems and poems are included; the poems and poems in which the poems and poems are included; the poems and poems in which the poems and poems are included; the poems and poems in which the poems and poems are included; the poems and poems in which the poems and poems are included. Poets referred to various arts and many mazmûna in their dîvans to emphasize the beauty and effectiveness of their poems, so they reflected their thoughts about poetry and poetry in their works. The works that the poet reflects the way of perception of life in his poem present the mental infrastructure of the Ottoman. The poets first regarded the meaning of the poem and wrote their works from this point in motion. Poets have expressed that the poems they put on the pen cannot be understood by the words, but only by those who look at the poem with the heart. When that happens, the views of every poet on the poet and poet should be studied, the approach of the Ottoman poets to the poet should be introduced and the meaning of the Ottoman poet should be revealed. It is one of the 18th-century poetry and poetry. In the sources, it is said that his original name is Abraham. Ibrahim Tursî addressed many issues related to everyday life; he reflected in his poem the various areas of social life such as clothing, food, music, crafts. What he wants from his poetry is to have fun and fun. The poems are in the style of grace. The poem that we read is a poem that makes the contents of the poems funny. In this study, the ideas of Abraham Turshi about his own poetry and poetry were tried to be revealed. As a result of the analysis of the Devan of Ibrahim Tırsî, the Mahlas Beyids of the Gazels, the noble parts of the Casides and the ideas of poet and poetry in the axis of the other Beyids have kept the light to work during the research.
Poetic is a term that contains the rules of the poetry school to which poets belong while they write their poems. The studies which have executed concerning their conception of poetry by examining the poetry tradition of each poet is important in order to reveal mental infrastructure of poets. When the Diwan poetry take into consideration, the subject of poetic is able to be analysed through some poems in which contain poetical elements such as tezkires, introduction of diwan, parts of fahriye in odes, pseudonymous couplet of the ghazals. Poets have referred to various arts and a large number of mazmûn in their diwan in order to emphasize beauty and effectiveness of their poems, thus they have reflected to their views on poetry and poetry in their works. The works which reflect the life vision of the Ottoman poet and therefore his viewpoint that dominates his poetry present mental infrastructure of the Ottoman society. Poets, they stated first of all that it should be meanings in poetry, and they write their works by acting on this axis. Poets expressed that their poems can not be understood by moving from words, will have just comprehended by erudits who look through the heart eye. In this case; The view about poetry and poet of each poet should be exam the poetics of Ottoman poetry should be introduced by aid of inductive approach ined and the poetics of Ottoman poetry must be put forward by aid of inductive approach. Ibrahim Tırsî is one of the 18th century Ottoman poets and calligraphers. His real name is Ibrahim. Ibrahim Tırsî has dealt with many issues related to the daily life. He looks sarcastically to various areas of social life such as clothing, food, music, crafts. What he expects from poetry is just to have fun and entertainment. His poems are in the style of “hezliyât”. This style he has adopted in poetry consists in making the contents of poems funny. In this work; ideas about comprehension of poet and poetry of İbrahim Tırsî, poet and representative were tried to be revealed. As a result of the analyse of the diwan of poet, last couplets of ghazals, parts of fahriye in odes and poetic couplet or bents have shed light on us during research.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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