Özet:

The aim of this study is to discuss the audience experience in interactive dramas and whether this experience is possible in the future with the scenarios written by artificial intelligence, in the context of the post-modern period of the authority of the writer and the active role of the reader/spectator by taking away from the passive position. For this purpose; first the post-modern period, the writer's death and the birth of the reader discussions were translated; then the concept of interactivity, interactive drama, the role of the spectator and the experience of the spectator compared to linear narratives were discussed; then the literature on artificial intelligence and creativity was placed. In the framework of the literature and discussions, the discussion was focused on whether artificial intelligence could a production close to human creativity, in other words, the human writing scenarios, and whether if artificial intelligence could it, the audience would pass into a participating position, and whether it could not experience an interactive film experience through the scenarios produced by artificial intelligence. Furthermore, this experience, in the near future, will exist or not, thanks to a technology that can produce instant scripts and tracks according to the audience / participant's choices and can instantly visualize them; if such a technology is possible, the emerging work will still be considered as a cinema and the connection of this new genre to the post-modern reading concept has been discussed.

Anahtar Kelimeler: