Abstract:

Over the course of history, many statements have been developed about the "beautiful". Aesthetic progress has been addressed by knowledge production and accumulation of pleasure. Discussions about the pleasures and aesthetic concepts emerging in ancient times have been discussed in the mental level. These discussions continued until the modern and postmodern era. Today, the debate on this issue keeps the heat. Despite postmodernism’s interest in style and pleasure, the aesthetics does not bind it to the rules. The person who tries to realize the work of art makes it difficult. But an aesthetic observer with sufficient equipment is involved in the fact in the framework of his own scientific consistency. Postmodern works, which contain multiple meanings, enable the purchaser to participate in a multi-structure in a creative process. In this context, the works contribute from a different dimension to the experience of aesthetic pleasure. Performance art is an area where works are given in the Postmodern style. From this point of view, performance art shows many meanings in the work. In the performance art in which perception, pleasure, impulse, memory, life, space, etc. things are treated as a body, it incorporates the acquirers into the reality phenomenon and creates a connection between the artist and the simulator and provides a common aesthetic experience. This common aesthetic experience achieves aesthetic pleasure by experiencing artistic-analysative identity conditions.

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