Abstract:

In the first quarter of the twentieth century, the theater was used in the theater, meaning an unexpression face. The deband, which depicts the state of the human being disguised from any mimic that can show his feelings, is related to the concept of the Marxist theory that is theoretized and emerged in the capitalist economic practice by the outsourcing of the human being to the environment in which he later lived. On the other hand, as an aesthetic form, the deband affects the photography art especially after the 1990s. The deband associated with the subjectivity, the sensation, the exaggerated artistic forms of expression, is based on the purely transmission of reality in the picture. Andreas Gursky, taking advantage of this aesthetic form applied in photography and especially in the topography fields, is shattering the spaces with the photographic techniques he applies in his work criticizing globalization and consumption culture. In this article, Gursky’s work of three different topographs, which carry the elements of the esthetic concept, was studied using the perspective of the concept of chessing that was theoretized in the Marxist theory and the visual analysis method.

Keywords: