Özet:

Abstract The narrative strategies that Magical girl (2014) uses to construct a Spanishness representation suggest an unusual way to consider the local sphere. Meetings of the four protagonists are interceded by random, irrelevant or inexplicable elements. The plot is articulated through misinterpretations: the characters make use of deformed mythologies which do not even allow them to understand the others who are close to them. A study based in Althusser’s aleatory materialism premises, Derrida’s conception of the foreigner and De Certeau's uses of culture would outline the gaps and borders through which the characters of the film go –even though unconscious of being determined by them.

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