Özet:

A large part of Sivas, which is located in the easternmost part of the Central Anatolia Region, is located in the Kizilirmak Valley, while the other parts are located in the Yesilirmak and Euphrates Basins. When the history of the Sivas region is examined, it is seen that it has hosted many civilizations. The rich and wide cultural diversity has also reflected in the folk songs of the Sivas region. In this study, the “Kırık Havalar (metered folk songs)" of the Sivas region was investigated in terms of modal (maqam) and rhythmic. Literature and documentary source scanning methods were used to obtain the research data. In this regard, the notes archive in the TRT Turkish Folk Music Repertoire belonging to the Sivas region was scanned and the notes of the "Kırık Havalar" were examined with content analysis. A total of 490 of which 314 are Turkish folk songs (kırık hava), 133 are “Uzun Hava” (unmetered folk songs) and 43 are traditional dance music were identified. When considering the distribution of the identified folk songs, it has been determined that the “Kırık Hava” (metered folk song) (119), “Uzun Hava" (unmetered folk songs) (43), and traditional dance music (33) were mainly concentrated in the central district. When the folk songs of the Sivas region are addressed, in general, it is seen that the Kırık Havalar's (Broken Airs) comes to the forefront. As a result of the analyzes made in terms of maqam on the "Kırık Havalar" (metered folk songs); it was perceived that Huseyni, Ussak, and Hicaz " maqams are extremely used, and in consequence of the rhythmic analyzes made, 4/4 and 2/4 rhytms are predominantly used. In the analyses made in terms of tempo (speed) diversity, it was determined that while the tempo diversity is numerous in the 4/4, 2/4, 10/8, 7/8, and 6/4 rhytms, the rhytms with irregular tempo are also seen.

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