Özet:

During the periods of Tamerlane and later his son Shakh Rukh Mirza Bahadır Muiniddîn (1377/1405-1447), grandson Ulugh Beg Mirza Mohammed Tariq (1394/1447-1449) foremost Samarqand and all Khurassan and Iran cities such as Herat, which is the capital of Shakh Rukh, Bukhara, Merv, Mashhad, Balkh, Tabriz, Ray and Yazd have been invigorated and became the centers of the creation of “Timurid Rennaissance”. As living its most successful time especially in these centers throughout the 15th century The Timurid Art, carries the traces of the local autochthonous cultures in the region from Herat to Bursa where the Timurids have been ruling. Thus, it is hard to comprehend the Timurid art and styles independently without the mutual interactions of historical and environmental cultures. As a part of the dialectical Turkish art and architectural process the Timurid art and architecture is an era of the new experiments and new discoveries within its eclectic character. The Timurids, gave significant examples of tomb architecure, which continued the exclusive, original and historical dialectic of the tomb architecture with its rich typology in terms of form and decorative program, built in Islamic lands for centuries since the Umayyad’s, especially in MuslimTurkish countries and lands.