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  Citation Number 4
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Madame Bovary'deki burjuva karakterler üzerine bir inceleme
2013
Journal:  
Pamukkale University Journal of Social Sciences Institute
Author:  
Abstract:

Madame Bovary romanında yer alan tüm karakterler ait oldukları toplumsal sınıfın yaşam kültürünün, normlarının ve değer yargılarının özelliklerini taşırlar. Bu özellikleri ele veren en önemli gösterge içinde yaşadıkları somut gerçeklikler karşısında gösterdikleri tavırlardır. Flaubert’in taşra (Normandiya) burjuvazisini çerçeve olarak aldığı romanın ana kahramanı Emma Bovary’nin çevresinde yer alan ve ikinci derecede önemli kişilerin hepsi kişisel karakter özelliklerinin dışında ortak davranış modelleri sergilerler. 1830’lu yıllardan itibaren yükselmeye başlayan taşra burjuvazisini simgeleyen kasaba doktoru Charles Bovary, eczacı M. Homais ve tüccar Lheureux, Emma Bovary’nin dramatik yazgısını belirlerler. Romanın alt başlığı olan Taşra Adetleri, kendi değerleri içine kapanmış, kalıp düşünceler içinde yaşayan, statükocu, entelektüelliğe, sanata ve edebiyata sırt çeviren, maddiyatçı, sıradan ve bayağı küçük burjuva geleneklerinin bir eleştirisidir. Edilgen kişiliği, bencilliği, konformizmi ve dar ufkuyla yaşamı fiziksel haz ve maddi doyuma indirgeyen Charles Bovary taşra burjuvazisinin bayağılık, niteliksizlik ve budalalığını ortaya koyarken, eczacı Homais ve tüccar Lheureux çıkarcılık, fırsatçılık, sömürü, para hırsı, toplumsal nüfuz, gösteriş ve kendini beğenmişliğin ve maddiyatçı ahlakın simgesi olurlar.

Keywords:

A review of the bourgeois characters in Madame Bovary
2013
Author:  
Abstract:

All the characters in the novel Madame Bovary carry the characteristics of the life culture, norms and values of the social class to which they belong. The most important indicator to deal with these features is the attitudes they show against the concrete realities they live in. The main hero of the novel, Emma Bovary, which Flaubert took the bourgeoisie as a framework, and all of the second-degree important persons show common behavior patterns, except for their personal character characteristics. The city doctor Charles Bovary, which symbolizes the rise of the bourgeoisie from the 1830s, the pharmacist M. Homais and the merchant Lheureux, identify the dramatic story of Emma Bovary. The subtitles of the novel, the Taşra Parties, are a criticism of its own values, the statue, the intellectuality, the art and the literature, the materialist, ordinary, and very small bourgeois traditions. While Charles Bovary demonstrates the abomination, invalidity and stupidity of the bourgeoisie, which, with his personality, selfishness, conformism and narrow horizon, puts life down to physical pleasure and material satisfaction, the pharmacist Homais and the trader Lheureux become the symbols of excitement, opportunity, exploitation, money aspiration, social influence, demonstration and self-giveness and material morality.

Keywords:

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Pamukkale University Journal of Social Sciences Institute

Field :   Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri

Journal Type :   Ulusal

Metrics
Article : 1.206
Cite : 5.046
2023 Impact : 0.31
Pamukkale University Journal of Social Sciences Institute