Özet:

The communication flower that mankind has launched on the cave walls has so far evolved, the techniques and methods it uses have undergone formal changes along with the continuing technologies. Today, in all spaces, typography, which forms the spine of communication, has begun to form much more than a means of communication by completely changing the atmosphere of spaces. Therefore, as we cannot see typography as a simple means of communication, we can never ignore its formal aesthetic characteristics and the emotional interaction it results in. So typography goes beyond being a physical element in space, and with the emotional interaction it often establishes with the spectator, the heart, language and spirit of the space. This is typography, taking it out of the usual paper surface throughout this process, sometimes using two-dimensional walls, columns, and sometimes with a three-dimensional shape the space becomes itself and establishes a different emotional connection with the spectator. With this study, the selection of examples from the typography where different materials and techniques are used together in the spaces, through these examples, the typography was attempted to analyze the communication with the space, the interaction and the mental and emotional interaction in which it was created by attracting attention to the importance of the space esthetics.