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Anadolu düğünlerinde geçmişten-günümüze süregelen geleneksel olgular içerisinde gelin alma geleneğinin ayrı bir önemi vardır. Gelinin baba evinden çıkarılmasıyla başlayan ve damat evine götürülme sürecini kapsayan bu gelenekte hem hüzün, hem de coşkuyu aynı anda görebilmek mümkündür. Geleneksel düğün törenlerindeki gelin alma/götürme sürecinde seslendirilen halk ezgilerine; gelin alma (gelin bindirme, göçürme, götürme…) havaları denilmektedir. Ulusal ölçekte yaygın olan ve yöreden-yöreye çeşitli müzikal farklılıklar gösteren gelin alma havaları, Türk halk müziği (THM) repertuvarı/nazariyatı açısından önemli çalgısal türler arasında yer almaktadırlar. Bu araştırma, gelin alma havalarındaki müzikal özelliklerin tespiti/tasnifine odaklanmaktadır. Araştırmada, TRT-THM arşivinde kayıt altına alınmış gelin alma havaları notaları ve bu notaların -ulaşılabilen- çeşitli video/ses kayıtları üzerinde yapılan değerlendirmelerle; gelin alma havalarındaki müzikal unsurların tespit edilmesine yönelik çalışmalar yapılmıştır. Yapılan değerlendirmeler doğrultusunda; gelin alma havalarının zengin müzikal karakteristikleri bünyelerinde barındırdığı, Karcığar makamı dizisinin yaygın olduğu, 7 ve 9 zamanlı usûllerin bu türdeki en önemli usûller olduğu, geleneksel icralarında zurna, asma davul, sipsi ve klarnetin en yaygın kullanılan çalgılar olduğu sonuçlarına ulaşılmıştır.
In the traditional events that last from the past to the present, the tradition of getting a bride has a separate importance. In this tradition, which begins with the kidnapping of the bride from the father’s house and covers the process of being taken to the bride’s house, it is possible to see both sadness and enthusiasm at the same time. In the traditional wedding ceremonies, the people call for the process of receiving / bringing the bride; the atmosphere of the bride is called the bride (the bride, the bride, the bride, etc.). The wedding atmosphere, which is common on a national scale and showing various musical differences from place to place, is among the important speakers in terms of the repertoire/nazariyat of Turkish folk music (THM). This research focuses on the identification/tasting of musical characteristics in the wedding atmosphere. In the study, the research was conducted to identify the musical elements in the wedding atmosphere recorded in the TRT-THM archive and the evaluations of these notes on various video/sound recordings that can be transmitted; the research was conducted to identify the musical elements in the wedding atmosphere. According to the assessments made; the wedding atmosphere has rich musical characteristics in its bodies, it has been achieved the conclusions that the Karcığar orgue series is widespread, the 7 and 9 time procedures are the most important procedures of this kind, the traditional instruments are the most commonly used instruments of zurna, hanging bubble, sipsi and klarnetin.
In Anatolian weddings, the tradition of getting a bride has a special importance among the traditional phenomena from the past to the present. It is possible to see both sadness and enthusiasm at the same time in this tradition, which begins with the taking the bride from the father's house and includes the process of being taken to the groom's house. In the traditional wedding ceremonies, the folk tunes sung in the process of receiving the bride are called the weather of receiving the bride. Being widespread in the national scale and showing various musical differences from region to region, bride receiving melodies are among the important instrumental types in terms of Turkish folk music (THM) repertoire/theory. This research focuses on the detection/classification of musical characteristics in the bride melodies. In the research, with the evaluations made on the bride receiving melodies notes recorded in the TRT-THM archive and various video/audio recordings of these notes; Studies were carried out to determine the musical elements in the bride receiving melodies. In line with the evaluations made; It has been concluded that the bridal-taking atmosphere embodies rich musical characteristics, that the Karcığar maqam is common, the 7 and 9-beat rhythm are the most important instruments in this genre, and that the “zurna”, “asma davul”, “sipsi” and the clarinet are the most widely used instruments in their traditionel performances.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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