Abstract:

The winter season is not as much as the spring in the classical Turkish poetry, but it is one of the most elaborated topics. It is in the middle of the winter, when it comes to the winter, when it comes to winter. Even if the poets occasionally reflect on the imaginary winter paintings that are moving from the difficult conditions of the winter season, many of them are either a reflection of the real events in the inner world of the person or a direct painting. In these sections, weakness, weakness and disappointment of people are expressed in the face of the winter. In this regard, the Classical Turkish poetry is actually an art field where the facts we live are also depicted. The story of the winter season does not only belong to the Classical Turkish poetry. People’s poets and the poets are often described in their poems. Although this situation is sometimes an occasion for the expression of emotions, it often also involves the meaning of a time determination or a historical main testimony. In public literature, these kinds of poems are referred to as poems where important, profound, permanent traces are addressed in the mind of society. The narratives often tell the catastrophes rather than victory and the suffering, the absence, the torture that these catastrophes bring. A poem in the Divan of Ahmed Kuddusî, a mutasavvif poet, also tells the difficulties of the winter of 1248/1833. The poet describes the difficulties of the heavy winter in this poem, while also depicts the changes in nature. In this article, the 31st. This poem, which is listed in the number and written with the 6+5=11 hece vesni where the winter painting is made, will be tried to be studied by movement in the classical literature. In this study, the visual scan method will be used. This work aims to reveal the differences in the sights of a classic poet and a mutasavvif poet to the winter season.

Keywords: