Abstract:

This study provides an overview of the fourth suite of the six French Suites, which was written by J. S. Bach for the clavsen but currently has an important place in the piano repertoire. In the study, they took advantage of foreign and Turkish resources. The work has been evaluated from a piano point of view and is intended to contribute to the commentators and keyboard students. First of all, the general structure of the French Sweets was focused on topics such as their importance in education and where the French name came from. The seventh edition of this series has been completed by a single-interpretation. No matter what time it was composed, knowing the past of a work contributes greatly to the formation of the executive's interpretation. It will be useful for the executive to answer questions such as how the composer uses a musical structure in the work, the harmonic way he follows, how he has an executive in the ideal. The switches are composed of dance parts that follow each other. Each dance section has its own character. In the interpretation of the sections we face musical, stylistic and technical problems. Based on these reasons, the research on J. S. Bach's French Sweets and BWV 815 Mi Bemol Major Sweets was thought to be useful for the executives.