Özet:

The subject of the research is to explore how ready and waste objects are used in ceramic art. In addition, it is to investigate whether the ready objects are treated as an aesthetic value or to represent an idea. Prepared objects and the formations of waste objects in the ceramic art; form the scope and limitations of the research. Also to bring clarification about the subject; artists such as Marcel Duchamp, Zhou Wendou, Clare Twomey, Yee Sookying and Bouke de Vries have been selected as an example. The problems of the research are as follows: What is the ready object? What are the practices of the prepared object in the ceramic art? Who are the artists who transform waste objects and ready objects into a conceptual structure? What was the impact of Marcel Duchamp during the postmodern period? With the answers to these questions, it is thought to reveal what the elements that trigger change and development in ceramic art.

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