Abstract:

Abstract For decades, Joseph Conrad’s Heart of Darkness (1899) has been subject to different readings and interpretations. Transcending the boundaries of time and place, Conrad’s novella is still a relevant text for modern critical readings. Although many critics have studied characters referring to different theories and perspectives, characterization is still a rich source of meaning. This paper aims to study the characters in Heart of Darkness and examine Conrad’s narrative strategy in terms of binarism and doubling. The paper also explores how, despite their depiction as powerful characters, Marlow and Kurtz show symptoms of failure and trauma while the black female character, usually depicted as an emblem of absence and negation, shows signs of power and resilience despite her muteness and minor presence. Feminist, Psychoanalytical and trauma theories are referred to in the revisiting of characters in Conrad’s Heart of Darkness.

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