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54
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31
Souvenirs are universally associated with tourism as a commercially produced and purchased object to remind the purchaser of the experience. Beyond being a memory holder for tourists, these products signify personal tastes. Therefore, seeking authenticity is essential, yet products made just for touristic sale became all alike. How will these products gain value in context of perceived authenticity? As a result of analyzing souvenir examples in touristic cities; preserving legacy by embracing local product/production methods, generate employment by empowering local craftsmen-designer collaboration to promote creative entrepreneurship and in turn sustainable development of creative economies is estimate.
Souvenirs are universally associated with tourism as a commercially produced and purchased object to remind the purchaser of the experience. Beyond being a memory holder for tourists, these products signify personal tastes. Therefore, seeking authenticity is essential, yet products made just for touristic sale became all alike. How will these products gain value in the context of perceived authenticity? As a result of analyzing souvenir examples in touristic cities; preserving legacy by embracing local product/production methods, generate employment by empowering local craftsmen-designer collaboration to promote creative entrepreneurship and in turn sustainable development of creative economies is estimated.
Alan : Güzel Sanatlar
Dergi Türü : Ulusal
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