Abstract:

War has been one of the important topics that have been presented in various forms in literary texts since the oldest periods of our literature. In each of the periods of literature, it has been discussed in different works with its different characteristics and qualities. With the acceptance of Islamism in the literature of war, together with the concept of jihad, works of the type "fetihnâme" and "gasavâtnâme" began to appear. The story of war or war is written. In the Divan literature, it is also seen that, especially in the poets' castles, the state men whom they praise speak of the wars in which they participated and of the heroism of these wars. The castles can be directly subjected to a war or placed in the paintings of war. In the Divan poem sometimes "cidâl, harp, cenk, perhâş, erdeb, rezm" etc. The war, which is also welcomed by his accomplices, holds an important place in the existence of the divan poetry. In some poems, war or similar, equivalent words are also used as redirect. However, while the world of divan poetry the war is actually placed in, it is more meczic in the sense. In this messy story, war, the traditional types of poetry passes between a lover-love or a lover-righteous. The girlfriend travels to the beauty country of her lover. The beauty elements of your lover and the opponent face to the lover come as an obstacle. After the use of the elements related to war and war in the Divan poem in general, we will study and evaluate the "ceng" redirected gazelle related to war in the Fehîm-i Kadîm Divan; the "sulh-ceng" redirected gazelle form and content characteristics included in the "fired-friend" thesis.

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