Abstract:

The figures in the war descriptions that continue from prehistoric times to today, when the artistic translation of the image began, mostly expressed the immortality of a moment of heroism and the defeat of the enemy until the last century when anti-war works began to grow. This article contains examples of the understanding that praises the eril utku in contemporary art works is criticized and the characteristics of the atherical factor behind it are somewhat more revealed. The patriarchal structure, which has been discussed in the forms of governance of communities, is one of the greatest factors that lead to discrimination, hierarchy, inequality, which must be fought, made visible, criticized, reversed. The fail that applies and continues this patriarchal structure that is not completely clear and visible in the structure of the state is criticized in various fields, including art. Imaging the violence through the file often reduces the identity of the spectator with the victim in the position of passive and repressed and indicates the questioning of his own position on how the violent act can be prevented.

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