Abstract This paper aims to be an approach to the musical activities of the Casa de la India Foundation from a musicological perspective. To this end, four of its musical activities have been selected and studied applying theories and methodologies from disciplines such as ethnomusicology, anthropology, sociology and cultural studies and, in particular, issues related to interculturality, Studies on world music and management of musical heritage. The collection of information was carried out by conducting interviews with the directors of Casa de la India and consulting various bibliographic sources (books, manuals, scientific articles, memories of Casa de la India, official websites of this cultural center, artists and other cultural entities involved in the activities studied).
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