Özet:

The archetypes included in the psychology studies by Carl Gustav Jung, which he called "analytic psychology", are patterns of behavior translated from the past to the present. The archetypes, considered as the “first example/model”, are codes that connect the individual to the universe, which are outside the common/collective consciousness of mankind. The mother archetype, which is one of these codes, has a trace in human life. Didem Madak, a poet where the traces of the mother archetype can be followed, lost his mother at a young age and left his three-year-old daughter behind at the beginning of his fourth-year-old age, throwing his eyes to life. Didem Madak’s poems, which reflect the lack and pain of maternity in his works, have three titles: Grapon Papers (2000), Ah’s Tree (2002) and Pulbiber Mahallesi (2007). The poet, who dedicates his books to different people, has eighteen poems in the Grapon Papers, nine in the Ah's Tree and fifteen in the Pulbiber Mahallesi. Under the title "After" at the end of the Pulbiber Mahallesi, four poems that are not included in the poet's books but published in magazines, the text from the pen of his close friend, Mujde Bilir, the last days of the story and the last poem he wrote, 128 Dikişli Poir, are placed. All the poems in these three books were studied on the basis of the archaeological criticism method drawn by Carl Gustav Jung, and the findings obtained by the mother's archetype center were evaluated. The study found that the mother archetype, which Jung emphasized that each individual is outside the common/collective consciousness, was also used effectively in Didem Madak’s poems. Thus, the poet has come to the conclusion that the archetypes are benefited and that his poems can bring out what is beyond consciousness to the level of consciousness. When all the findings obtained from the study were evaluated, it was found that the bridge that extends from individuality to universality in literary works could be built through archetypes.

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