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1
Bir dil/edebiyat sanatı olan roman, estetik yönüyle öne çıkan anlatma esasına bağlı bir türdür. Bu türün yazımında estetik ve güzellik başat unsur olarak kabul edilir. Samipaşazâde Sezai’nin belirgin bir sanatsal duyarlılık çevresinde kaleme aldığı Sergüzeşt de Tanzimat dönemi Türk edebiyatında esaret temasını gerçekçi yönüyle işlemesiyle ve sanatkârane anlatımıyla öne çıkan bir eserdir. Bu anlamda çoğu eleştirmenin devrinin romantizmden realizme geçiş eseri olarak nitelediği romanda, estetik unsurlar göze çarpmaktadır. Roman, özellikle vakanın ele alınışı, kişiler, mekân, dil, üslup, anlatım biçimleri ve teknikleri açısından estetik yönüyle dikkati çekmektedir. Yazar, esaret temasına eklediği acıklı ve duygusal aşk macerası çevresinde başta resim olmak üzere şiir, müzik gibi sanatlara yer vererek estetik unsurları öncelemiştir. Aynı zamanda tabiat, dekor, eşya, nesne betimlemelerini de estetik ölçütleri göz önünde bulundurarak yapmıştır. Bu çalışmada Sergüzeşt romanı içerdiği estetik unsurlar bağlamında incelenmiştir. Yazının giriş kısmında estetik kavramı açıklanmış, roman türünün estetikle olan ilişkisine değinilmiştir. Ardından Tanzimat romanındaki estetik tavır, bakış açısı tartışılmış ve Samipaşazâde Sezai’nin estetik duyarlılığı ve güzellik unsuruna yaklaşımı üzerinde durulmuştur. Devamında roman kişiler, mekân, aşk, tabiat, güzel sanatlar, dil ve üslup gibi başlıklar altında içerdiği estetik öğeler bağlamında incelenmiştir. Sergüzeşt romanı her ne kadar gerçekçi tarafıyla öne çıksa da yazarın, kişileri daha çok duygusallıklarıyla ele alması mekâna, tabiata, eşyaya estetik bir bütünlük içinde yaklaşması bakımından değerlidir. Ayrıca roman başkişisinin ressam oluşu, şiirin ve müziğin anlatımda/aktarımda benimsenmesi eserde estetiğin ve güzellik duygusunun öncelendiğini göstermektedir.
A novel, which is a language / literary art, is a kind of narrative that stands out in aesthetic perspective. In this type of writing, aesthetics and beauty are considered as the main element. Sergüzeşt, which has been painted around a clear artistic sensitivity by Samipaşazâde Sezai, is a work that stands out in the Tanzimat period with the processing of the subject of prison in the Turkish literature in a realistic direction and the art story. In this sense, in the novel that most critics describe the era as a transition from romanticism to realism, aesthetic elements appear. The novel draws attention especially in the aesthetic aspect of the subject matter, in terms of persons, space, language, style, narrative forms and techniques. The author has preferred the aesthetic elements by placing the arts, including poetry, music, in the surrounding of the sad and emotional love adventure he added to the subject of prison. He also made the paintings of nature, decoration, objects, objects, taking into account the aesthetic standards. In this study, it was studied in the context of the aesthetic elements contained in the Sergüzeşt novel. In the entrance of the article, the concept of aesthetics was explained, referring to the relationship of the type of novel with aesthetics. Then the aesthetic attitude in the Tanzimat novel, the point of view was discussed and focused on Samipaşazâde Sezai's aesthetic sensitivity and approach to the element of beauty. The novel continues to be studied in the context of the aesthetic elements it contains under titles such as space, love, nature, beautiful arts, language and style. Although the exhibition novel stands out in its realistic side, it is valuable for the author to deal with the people with more emotions; to approach the space, the nature, the object in an aesthetic integrity. Also, the character of the novel is a painter, the adoption of poetry and music in the narrative/actor shows that the sense of aesthetics and beauty in the work is prioritized.
Novel, an art of language/literature, is a genre that is based on narrative principle, which stands out with its aesthetic aspect. It is accepted that aesthetics and beauty are dominant elements in the writing of this genre. Serguzest, written by Samipaşazâde Sezai within the scope of a distinct artistic delicacy, is a work of art that stands out with its handling of captivity narrative’s realistic aspects of Tanzimat reform era literature and its arty narration. In this sense, aesthetic elements attract the attention in this novel which many critics describes as the transitional work from Romanticism to Realism of its era. The novel attracts notice with its aesthetic aspect especially in terms of handling the plot, characters, location, language, style, narrative forms and techniques. The author prioritized the aesthetic elements by including art forms like poetry, music and mainly painting within the frame of the touching and emotional romance that he added into the captivity narrative. At the same time, he portrayed nature, setting, things and objects by taking aesthetic criteria into consideration. In this study, the novel Serguzest is analyzed in the concept of its aesthetic elements. In the introduction part of the article, the concept of aesthetics is explained and the relation between the novel genre and aesthetics are mentioned. Afterwards, the aesthetic style in Tanzimat era novel, point of view are discussed and Samipaşazâde Sezai’s aesthetic delicacy and his approach to the beauty element are laid emphasis on. Later on, the novel is studied in the concept. Although the novel Serguzest is distinguished with its realistic side, It the author’s handling of the characters more with their sensuality; it is valuable in terms of his approach to location, nature, things his approach within an aesthetic integrity. Besides, the fact that the protagonist is a painter and the adoption of poetry and music in the narrative/transmission show that aesthetics and beauty are prioritized in this piece of work.
Alan : Filoloji
Dergi Türü : Uluslararası
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