Özet:

Asaf Halet Çelebi must be considered the first mystical poet in Turkish poetry by keeping the poem of Tasavvuf a side of it. His poetry has no priority or priority in this sense. Asaf Halet is not directly or indirectly linked to the traditions of Tasavvuf in Turkish poetry. In his poem, the values of universal mysticism and in his voice have a clearer place than the colors of the tradition in which he is born and grown. Especially in his poems under the influence of Buddhism, the objects of tasavvufa and national life also announce to the reader a different look from the perception and perception of the same universal mystical sensation to the past. This is a sense of alienation, though not a kind of alienation, which shows itself clearly for Turkish poetry and in a way a foreign sound that first enters our poetry from the language of Asaf Halet. Thus, it was not a good thing to say, but a good thing to say, it was a good thing to say. The fact that this innovation shows itself clearly in the form of the poems in Om Mani Padme Hum, He and Lamelif, and in his speech, is also related to the pleasure of the mysterious world in which the poet expresses himself as much as it relates to the art and the aesthetic power. As a result, in his poems, the mystical sense of the ancient world and the distant East mysticism were not merged in the poem of Tasavvuf, but for the first time, with its original nature.