It is seen that there is no general consensus on the formation of these techniques when examining the discussions on the right hand technique designation in classical gigs. According to some pedagogues and guitarists conducting these discussions, the right hand technique may change depending on the anatomical structure of each guitarist. Therefore, it is very difficult to determine the basic elements. On the other hand, there are opinions that argue that the general cha- racteristics of the human species can be held in the foreground and common elements in each guitarist can be identified and a general right hand technique can be created. The study examines the controversial discussions in relation to the development process of Renaissance, baroque, classical, romantic and modern period guitars in a chronological sequence and descriptive method.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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