Özet:

This research exposes the missed lines from the poem of Sheikh « Sidi Aḥmad ibn Al-Horma », the great folk (Malḥūn) poet in the Sahara Desert, in Algeria. Thus, after finding out drafts, in his handwriting, in which, he wrote his poems, and he polished his poetry. Such discovery leads us to wonder to what extent the folk (Malḥūn) poets have adopted the emotive language, which comes from the moment and the attitude. Further, how committed were they to the polishing and the refining of their poems. What it takes to get back to the drafts and revise them. Even so, the benefit of this research goes beyond mere the attempting to answer this question. It reveals what is new in the poetry of Sheikh” ibn Al-Horma “. Moreover, it opens the door for critics, in order to discuss what the result of such discovery, in criticism of a folk( Malḥūn) poetry, and its study. As it is known that none of the scholars denies the importance of the manuscripts of the folklore, and the traces of writers, poets and authors, especially their drafts that they wrote with their own hands, and numbered by their fingertips. These rubbish may contain elements of unimaginable tasks, and perhaps the use of the prospecting and research machine in these knowledge and heritage mines, will reveal to us about the new and the unexpected, about personalities around whom the aura of fame and proliferation was formed, which contributed to obliterating many of the details around them. Here we present, by description and analysis, papers from the personal heritage of the great poet "Aḥmad ibn al-Horma", and we will try to prove their attribution to him. Which, after the investigative and documentary aspect, will refer us to several critical questions related to the poetic creativity and talent of the Algerian poets of the Malḥūn, and to this distinguished poet in particular. Perhaps most of these questions will center around the following: Was Sheikh "Sidi Aḥmad ibn al-Horma " one of those who used drafts during the composition? Or was he one of the owners of the emotional language imposed by the situation and dictated by the moment? And did he refine his poems, and revise them before they were produced, retracting some of his systems, canceling them, or replacing them? Is this phenomenon unique to him, or can it be generalized to other poets of popular zajal? We will try to answer all these questions in this article, but what we aim at in the first place is to bring these verses to light, append them to their predecessors, indicate their position in poems, and prove the attribution of these drafts to Sheikh "Sidi Aḥmad ibn al-Horma ", and this is a prudent proof Refinement, revision and revision during the composition, and it is likely that this was the case for many poets of Algerian folk poetry, and there is no doubt that this will open the vision of the critics of the popular poem on larger windows, and more models of what we can call in the future the “Annals” of the Malḥūn poetry, but what should be noted is that the criticism of the Malḥūn through its sources is considered a precedent in itself. Especially since the controversy has existed since ancient times between the supporters of the emotional language generated by the moment, which is based on improvisation and temper, on the side of softness and ease, so its owner (as if scooped from the sea), and between the language of consideration and deliberation based on the realization of the mind and careful consideration on a side of severity and difficulty. And the lack of direct obedience to its owner (as if it were made of rock), and between these two extremes of controversy, we are trying to prove the most likely and most common inheritance of the Malḥūn Algerian composer, who still many of his coffers have not been opened for criticism and prospecting.

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