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Çalışmanın konusunu Silifke Müzesi arkeolojik eser koleksiyonuna satın alma yoluyla kazandırılan 43 kandil içerisinden, üzerinde figüratif, bitkisel bezeme, sembol ve damgalara sahip 32 adet pişmiş toprak kandil oluşturmaktadır. Kandillerden üzerinde görülen bezemeler içerisinde bitkisel motifli olanlar çoğunluktadır. Bunun dışında mitolojik sahneler, gladyatör mücadelesi, araba yarışı, hayvan ve av sahnelerini içeren figüratif bezemeler, semboller yunan haçı ve ayak damga baskısı planta pedis da görülmektedir. İncelenen kandillerdeki bezemeler daha çok diskus ve omuzda yer almaktadır. Aynı zamanda diskus kenarı ve kaide altında da damga ve bezemeler görülür. Kaleme alınan bu makale, müzede bulunan pişmiş toprak kandiller üzerindeki bezeme, sembol ve damgalarla ilgili ikonografik ve ikonolojik bir değerlendirmeyi okuyucuya sunmak istemesinin yanı sıra, incelenen kandiller üzerindeki betimlemelerin ne anlama geldiği ile kandil üzerine neden yapılmış olabileceğini irdeleyerek; bu alanda yapılmış veya yapılacak olan çalışmalara katkı sunmayı amaçlamaktadır
The subject of the study is Silifke Museum’s 43 candles awarded through the purchase of the collection of archaeological works, which contain 32 pieces of cooked soil candles with figurative, vegetable grass, symbols and signs. There are most of those who are in the midst of the mountains, and most of them are in the midst of the mountains. In addition to this, figurative scenes, which include mythological scenes, gladiator struggle, car races, animal and hunting scenes, symbols of the Greek cross and footprint printing planta pedis are also seen. The shadows in the screwed candles are more placed on the disc and shoulder. At the same time, the disc edge and under the kaide also see signs and spots. In addition to the art that is painted, this article is intended to provide the reader an iconographic and iconological assessment of the paintings, symbols and signs on the cooked soil candles in the museum, and the illustration of what the paintings on the studied candles mean and why they may be made on the candle, it aims to contribute to the work done or done in this area.
The present study focuses on thirty two terracotta lamps, which are decorated with figurative and floral ornamentations, symbols and stamps, from the forty three pieces of terracotta lamps, which were purchased for the archaeological artifacts collection of Silifke Museum. Floral ornamentations on the terracotta lamps comprise a large portion of decorations. In addition, mythological scenes, gladiatorial struggle, chariot racing, figurative decorations including ani mal and hunting scenes, symbols Greek cross and foot stamp printing Planta pedis are also seen. The decorations on the studied terracotta lamps mostly cover the discus and shoulder areas. At the same time, ornaments and stamps can be found around discus and under the base of terracotta lamps. Having presented an iconographic and iconological interpretation of the ornaments, symbols and stamps on the terracotta lamps in Silifke Museum, the present study also intends to make a contribution to the past and future studies by interpreting the possible meanings of and the reasons for the decorations on the examined terracotta lamps
Alan : Eğitim Bilimleri; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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