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مولانا همچون دیگر شاعران برای بیان مؤثر اندیشه، باور و احساسات¬خود از نمادهای¬متنوعی سود می¬برد. واژه و نماد ادبی «تُرک» از جمله موتیف¬هایی¬است¬که مولانا به دلیل حضور در سرزمین ترکان(روم شرقی) و تُرک¬بودن محبوبش(شمس تبریزی) بدان علاقة¬وافر دارد. با بررسی¬کاملی¬که از آثار مولانا به عمل آمد دایرة کاربرد معنایی و ادبی(نمادین و غیر نمادین) این موتیف و تعابیر و تصاویری که شاعر با دستاویز «تُرک» ارایه¬کرده به¬نحوی دقیق تدوین شد. مهم¬ترین شیوة کاربرد ادبی «تُرک» در اشعار مولانا برقراری تقابل¬های هنری و معنوی/معنایی بین تُرک و هندو، ترک و تاجیک، ترک و ارمنی، ترک و رومی، ترک و بلغاری، ترک و عرب، ترک و کُرد، ترک و زنگباری است. علاوه برآن اوصاف و ویژگی¬های نمادین ویژه¬ای چون؛ معشوق، زیبایی و عشوه-گری، صلابت و تندی، یغما و ترکتازی، و... استعاراتی چون ماه و خورشید و... با موتیف ترک بیان شده¬است. تنوع اقوام ترک در زبان مولانا نیز نکتة دیگری¬¬است¬که بدان توجه شده¬است. مولانا از ترک ختایی/خطایی، ترک ترکستانی، ترک طرازی، ترک ترکمانی، ترک تبریزی سخن گفته¬است. همچنین مولانا عارفی وحدت وجودی/شهودی¬است لذا در رویکرد یگانه¬نگر خود زیباترین وباشکوه-ترین بیان معنوی/معنایی از وحدت در عین¬کثرت صوفیانه را با بهره¬گیری از تنوع و تکثر صوری اقوام و زبان¬ها رقم می¬زند.
Mevlânâ uses a variety of symbols, like other poets, to express their beliefs, feelings and thoughts effectively. One of the motives that Mevlânâ is very relevant because of its presence in the Turkish territory and the murderer (Shems-i Tebrizî) is the word "Turkish" and the literary symbol. The works of Mevlânâ are carefully studied and the literary use of this motives and character (not containing symbols and symbols) and the comments and images that the poet offers through "Turkish" are detailed. The most important literary use of Turkey is to establish artistic and spiritual/sensitive contradictions between the Turks and the Hindus, the Tacks, the Armenians, the Romans, the Bulgarians, the Arabs, the Kurds and the Zanzibars. In addition, the words with symbolic characteristics such as love, beauty, work, firmness, sharpness, robbery and flight are expressed by the Turkish motivation, along with the words such as moon and sun. The diversity of the Turkish people in the language of Mevlânâ is also a matter of attention. He speaks of Turkish Turks, Turkish Turks, Turkish Turks, Turkmenistan Turks and Tebriz Turks. It is also a body of the body, and a physical body of the body. Therefore, in his one-minded approach, taking advantage of the diversity of nations and languages, he draws attention to the most beautiful and glorious spiritual/significant expression of unity in the sovereign majority.
Like other poets, Rumi used various symbols to effectively express his thoughts, beliefs and feelings. Turk as a word and literary symbol is one of the motifs that Rumi had much to do with due to his presence in the land of the Turks (Eastern Rome) and the fact that his beloved teacher, (Shams Tabrizi) was also Turk. By performing a complete review of Rumi’s works, this article precisely elaborates on the scope of semantic and literary usage (symbolic and non-symbolic) of the Turk motif as well as the interpretations and images Rumi presented by referencing this motif. The most important literary use of “ the Turk motif” in Rumi’s poems was to establish artistic and spiritual/semantic contrasts between Turks and Hindus, Tajiks, Armenians, Romans, Bulgarians, Arabs, Kurds or Zanzibaris. In addition to this, Rumi also used the Turkish motif to express special symbolic features such as; the beloved, beauty and flirtation, strength and sharpness, and plunder and desertion, as well as metaphors such as the moon and the sun. The diversity of Turkic peoples in Rumi’s language is another point to which this article pays attention. Rumi wrote about the Khatai Turk, Turkestan Turk, Targhir Turk, Turkman Turk, and Tabrizi Turk. Rumi exhibited a unity of the existential and the intuitive and thus used his single- minded approach to create the most beautiful and magnificent spiritual and meaningful expression of unity in the Sufi multiplicity by taking advantage of the diversity and formal plurality of nations and languages.
Alan : Filoloji
Dergi Türü : Uluslararası
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