Özet:

iffet 1896 and the last desire 1918 is the two novels that end up with facia, novels are trained according to the revs of the main characters, and the two young girls with virtue ended with the death of verseism and nuruyezdan, both the masters of the rahmi rahmi gürpınar are one of the protagonists of the work, although the story of the last desire is expressed by the wife of nuruzdan, and the fact that the appearance of the novelties of the dream of the real life of the dream of the dream of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the real life of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the dreaming of the

Anahtar Kelimeler:

Özet:

İffet (1896) and Son Arzu (1918) are two novels of Hüseyin Rahmi Gürpınar, whose ends with tragedy. The novels end with the death of two young girls, İffet and Nuruyezdan, whose main characters are educated and virtuous according to their times. Both works are based on real life stories. Hüseyin Rahmi Gürpınar explains in the preface of the work that he is one of the heroes of the event in his novel İffet. The story of the Son Arzu was conveyed to him by Nuruyezdan's wife. It is understood that the author wanted to reveal the social structure of the era with these novels. The ethics of the society emerges as another questioned concept. It is seen that romance and realism are examined in the novel of İffet. In the case of the Son Arzu, the way of thinking and the stagnation of the old age is criticized. Women's rights and women-men relations are other criticisms. The main theme, which is the focus of all these discussions, is shaped by the opposition between imagination and truth. While there are very few who can be set as good examples in both novels, two virtuous women have become immoral in the eyes of society. Despite their weaknesses in realism, Hüseyin Rahmi Gürpınar's novels Son Arzu and İffet attract attention with the symbolic contrasts they establish between the interior of the house and the street. According to this, the interior of the house is the representation of “dream” with its disconnection from real life, and the street is the representation of “truth”. The more virtuous the language seen in the dialogues and letters at home, the more immoral the language of the street. Home; the worn or superficial it is in expressing the old order, the more real is the life flowing on the street. No matter how sublime the love the heroes set up in their homes, the emotion encountered outside is only about sexuality. The great success of the author is that he skillfully transferred this contrast he created around the theme of dreams and reality to his works.